NAMEMarch 28 , 2007Flannery O Connor : IronyIrony in Good bucolic syndicate and Everything that Rises Must fitIn Good Country good deal and Everything that Rises Must converge Flannery O Connor uses irony as a device to subscribe both the mental and carnal limitations of the characters . In an article on Flannery O Connor in Encyclopedia of Southern Literature , the viewer writes that O Connor is an unapolo throwic explicator of the doctrine of human limitation (237 . The corporeal and psychological limitations in these stories include satisfaction s cardboard rowlock , scream , and synecdochical blindness Julian s experience s unfitness to feign on from the past and Julian s depression , feelings toward his puzzle , and figurative blindnessFlannery O Connor uses irony to reveal joyousness s physical and psy chological limitations in Good Country People Her authentically memorable creations of characters and actions take place in the stories , which atomic number 18 highly suspicious , sometimes unbearably so , and finally we may oppugn just what it is we are laughing at . Upon musing the jokes are seen to be dreadful ones , as with Manley arrow s preaching of sport Hopewell s artificial leg in Good Country People ( Flannery Norton , 2403 Certainly , comfort s artificial leg is the approximately lucid example of a physical limitation in all of the stories . It is ironic that the only character in the theme who seems design is the only one with a physical stultification . contentment s character is humorous in her treatment of her mother and Mrs . freewoman , as well as her six-year-old skirt and a xanthous sweat shirt with a faded cowpuncher on a horse Yet O Connor punishes Joy for her substantiation , and she is humiliated at the end of the yarn when Manl ey Pointer takes her artificial leg . In the! barn , she indignantly climbed the move into the store to show that she is not limited by her disability .
except , at the end of the story , all she bathroom do is scream , Give me my leg This is typical of O Connor s indite In Anagogical Vision and Comedic Form in Flannery O Connor : The Reasonable Use of the Unreasonable Askin writesEpisodic and irrational on the rally , the comic plot turns on its own stake of inevitability . Blocking characters are outwitted by their own smart , direct by their own vices into traps , or caught out by characters they had brush aside as marginal and powerless . Trap s snap omit with a kind of ironic precision that suggests an underlying and umpire . transparent juxtaposition of opposing scenes , coupled with clockwork timing moderate an apprehension of the victory of plot over character (50Throughout closely of the story , the reader is laughing at Joy s behavior save , O Connor s use of irony to make Joy a humorous character and then humiliate and punish her at the end of the story highlights the permanence of physical limitationsIn step-up , Joy s name is ironic . Her given name is Joy Hopewell , still the character is neither joyful nor hopeful...If you want to get a full essay, order it on our website: OrderCustomPaper.com
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